Every painting I make starts with burnt sienna, the world’s oldest pigment. From ancient cave walls to my Tel Aviv studio, this earthy red connects us to the first artists who ever said, “I was here.” Here’s why I use it, and why it still matters today.

Blue might feel eternal, but in human history it’s brand new. Here’s how it entered our world — and why it still feels like magic today.

It all begins with an idea.

It all begins with an idea.